![]() ![]() ![]() Eager to inflate their reputations, cracking groups began to insert identifying information into the software they distributed. Cracker groups used BBS to trade software, communicate with friendly users, and taunt others (BBS 2004). By the end of the decade, the practice of cracking the copy protection code and redistributing commercial software had developed into a competitive global culture complete with group rivalries, codes of conduct, and complex communication networks. With each release, adept reverse engineers set about circumventing the new constraints. In the 1980s, commercial computer games typically included additional software to limit their unauthorized reproduction. Just as the barriers to making computer music lowered with the availability of tracking tools, so did chiptunes composers create a new space for sharing their work. MT32s - (a General Midi/GM sound module) for example came out in 1987 (a bit later) and were fairly pricey for the era retailing at what would be $1,574.43 with inflation. Answer: Yes, there's a bit of linked history between crackers and demoscene and given the history early microcomputer music was predominantly chiptune especially for hobbyists rather than getting expensive hardware like sound modules and full synthesizers. ![]()
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